Old Man in Two Point Perspective Drawing Example

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Old Man in Two Point Perspective Drawing Example photo old-man-in-two-perspective-drawing-example_zpseb522d2f.gif

Old Man in Two Point Perspective Drawing Example

Source: http://www.youtube.com/watch?v=4okjP7dO4k4

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more VCAD tutorials online: http://tutorials.vcad.ca/
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Video Drawing Tutorial on Old Man’s Face in Two Point Perspective

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Learn how to draw an old man’s face in two point perspective with the Storyboarding, Drawing and Animation Instructor at Visual College of Art and Design of Vancouver (VCAD) Glen Kennedy.

Source: http://youtube.com/subscription_center?add_user=VancouverVCAD

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more info on VCAD: http://tutorials.vcad.ca/
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Draw an Old Man’s Face in Two Point Perspective

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Source: http://youtube.com/subscription_center?add_user=VancouverVCAD

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Today we are going to draw an old man’s face. Let’s start with a rectangle in perspective. That’s right, we should start with curving in some basic shapes and then to make the face from that. We should put down the horizon line with two vanishing points. Draw some simple shapes. The reason why we have to hit the vanishing points is to create the structure in perspective. One might ask — why do we want to draw the old man’s face in perspective? The answer is very simple — we don’t always want to have some flat drawings. Perspective will definitely give some volume to the drawing.

After we are done with the basic shapes will start subdividing them and start drawing curved lines; in order to do that we will have to dissect the corners so that the lines meet in the center. Dissect as many corners as you can because it will make your life easier as soon as you start free hand the curved lines.

Use your rough lose pencil to start carving shapes in. It will help us to understand what we actually want to achieve.

Now we are ready to start drawing the chin. Go around and see what you can do with the drawing. As soon as it is done we can start drawing an eye and eyebrow. The distance between both eyes is of the size of an eye. Keep moving on with the nose.

Start mapping things out like hair and shape of the head. Keep it lose and rough.

Draw the mouth by marking where it is going to be.

Let’s take another pencil and over exaggerate the iris of the eye because whenever you look at a photograph you will always see a dot of the iris in the eye.

Let’s see what we can do with the corners at the top of the nose, but we do want to focus on the eyes. Don’t put one continues line. Look how I go back and forth in the drawing.

Keep on working on the eyes. Switch to the pen and over exaggerate the eyes because that is the soul of the drawing. Draw some lines under the eye including a line under the nose. Block the nose and add details — we need to get some expression into the old man’s face. It is very good working with the pen because it will definitely help you to practice as you decide to draw digitally.

I still need to draw the other eye; therefore, let’s switch to a pencil of the different color. Work around and get the feel of your drawing. Keep moving on with adding details to the face.

I don’t draw one continues line; I go back and forth in the drawing. Basically you are working on the full drawing and not on one part of it only. The reason why I’m using a different color pencil is to block more shapes in.

You can always erase any details you don’t like. There is a great advantage in drawing with the pen because those lines will remain. There are too many work lines in our drawing; therefore, let’s get rid of them now and add some details afterwards.

Now you can see the structure of the character underneath. Sit back and think what you want to achieve and what has to be added or altered to do so. Let’s start with the eyes. We need to exaggerate them so that they pop out of the drawing. As soon as one eye is done we can switch to the other side. Add some details to the face.

Some people don’t like erasing lines, but I like it a lot because at the end of the day it will give more life and sense of depth to the drawing. I don’t care about how many lines I add because I want to structure the drawing and make it look the way I want to. When you draw digitally you can undo actions you have made and the same here – I can delete lines whenever I want to.

Now we can dig in with much darker pencil to make a different structure. What I can do, I can add more creative details. Once it is done I will go back and add the final details with the pen.

Keep working on the chin shape and facial lines. Add some life to the drawing. As you can see I follow the rough lines here by adding some details. Work out the curved lines and avoid the straight ones or your drawing will look stiff and lifeless.

Keep working on the mouth. Now we can use a softer pencil to add some block shading. Work around the eyes and use your fingers to smudge the lines. The reason why I’m using a different pencil is to add some more lines that will mix with the other lines.

Now let’s erase some of the lines and see what we can do. Later on it will allow me to simplify the shapes. As you can see those other color lines we can see quite clearly. Actually while I am doing this I think what I can do next. I like those soft colors that are mixed with the other ones.

Now we are ready to work with the pen and add some details. Start with the eye as that is the most important part of the drawing. Sometimes it is good to scan your drawing before you erase the lines because it will allow you to go back and see what was where.

Go around the head with the pen and details. I need to connect eyes with the nose. There are no continues lines here because otherwise there wouldn’t be any life in the drawing.

Now we can start switching between different pencils, pen and markers.

Let’s erase some of the lines we don’t need. Let me remind you what we have done:

- We started with the two vanishing points
– We drew the horizon line
– We drew some simple shapes like squares and rectangles in perspective
– Finally we created rounded lines and shapes from the simple shapes

Let’s finish our drawing; nothing much has been left to do. Go back to the eyes and enhance them with the pen. Work around the head and add details to the hair, eyebrows and everything else.

Sit back and evaluate what else has to be added to achieve your goal.

Add some shades and soften them up – blur with your finger. Work on mouth and some extra details under it. Now we have an old man’s face in perspective.

Glen’s past achievements and work experience:

Nominated for a Prime Time Emmy Award for Director, The Looney Beginnings Warner Brothers / Steven Spielberg

Storyboard Artist DHX Media PPX Digital Shorts, Rainmaker Princess Charm School and Princess and the Pop Star.

Storyboard Artist Hugglemonsters, Doc McStuffins Disney Junior . Animatic Storyboards Pac Man 3D Series 2012.

Storyboard Artist Speed Racer TV Series Playing on Nick Toons. Storyboard Artist Stormhawks Episode 23, YTV.

Storyboard Artist, Ned’s Newt TV Series Corus Entertainment. Animation Director Tex Avery Series D.I.C. Entertianment.

Animation Director Fantastic Four Series and Title. Marvel Productions, Animation Director Hulk vs Doctor Doom, Universal Studios.

Animation Director Aladdin, Bonkers, Darkwing Duck, Goof Troop, Disney TV. Animation Director Tiny Toons Adventures.Warner Brothers.

Animation Director The Zula Patrol 3D Maya Series NBC. Animation Director Hozehounds Seasons 2,3,4,5, The Family Channel / Disney

Animator Tales of Worm Paranoia, Cartoon Network. Animation Director Werner 3 Movie. Animation Director Hanna Barbera Productions.

Yogi Bear’s Treasure Hunt, Smurfs, Pup Named Scooby Doo, Scooby Doo, Flinstone Kids, Jetsons Movie, Snorks, Foofur, Johnny Quest,

Flinstones Meet the Jetsons, Hagar the Horrible. Animation Director Mixed Nutz Series PBS TV. Animation Director Chucklewood Critters.

Animator The Real Ghostbusters. Animator He-Man and Shera ,Fat Albert and the Cosby Kids,Filmation Studios. Animator, The Prodigal Son Movie.

Animator Chipmunks, The Big Adventure Movie. Animator Curious George TV Series. Animator Frosty the Snowman Movie, Racoons,Care Bears.

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497

Find more VCAD tutorials: http://tutorials.vcad.ca/
Subscribe to VCAD: http://youtube.com/subscription_center?add_user=VancouverVCAD
Like VCAD: http://facebook.com/VCAD.ca
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Airplane in Two Point Perspective Drawing Example

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Airplane in Two Point Perspective Drawing Example photo airplane-in-two-point-perspective-drawing-example_zps02e749c8.gif

Airplane in Two Point Perspective Drawing Example

Source: http://www.youtube.com/watch?v=kEmkeNHT4bE

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more VCAD tutorials online: http://tutorials.vcad.ca/
Subscribe to VCAD: http://youtube.com/subscription_center?add_user=VancouverVCAD
Like VCAD: http://facebook.com/VCAD.ca
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Free Video Drawing Tutorial on Plane in Two Point Perspective

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Learn how to draw a plane in two point perspective with the Storyboarding, Drawing and Animation Instructor at Visual College of Art and Design of Vancouver (VCAD) Glen Kennedy.

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more info on VCAD: http://tutorials.vcad.ca/
Subscribe to VCAD: http://youtube.com/subscription_center?add_user=VancouverVCAD
Like VCAD: http://facebook.com/VCAD.ca
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How to Draw a Cartoon Airplane in Two Point Perspective

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Source: http://youtube.com/subscription_center?add_user=VancouverVCAD

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learn how to draw a cartoon airplane in two point perspective 00

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learn how to draw a cartoon airplane in two point perspective 00

learn how to draw a cartoon airplane in two point perspective 00

learn how to draw a cartoon airplane in two point perspective 00

learn how to draw a cartoon airplane in two point perspective 00

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learn how to draw a cartoon airplane in two point perspective 01

learn how to draw a cartoon airplane in two point perspective 01

learn how to draw a cartoon airplane in two point perspective 01

learn how to draw a cartoon airplane in two point perspective 01

learn how to draw a cartoon airplane in two point perspective 01

learn how to draw a cartoon airplane in two point perspective 01

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Today we are going to draw an airplane. Let’s start with a rectangle in two point perspective. Before we begin we need to figure out where our horizon line and vanishing points will be. Sit back and think what kind of look you are going for.

We need to start with the square shapes and then we will round them up. As you hit the vanishing points think creatively what you are going to draw. Block objects with lose lines in perspective.

What we are going to do next is to use is to work with a different color pencil in that way we will be able to choose whichever lines we want to work with.

When drawing a circle in perspective, start with a rectangle, draw two diagonal lines to find the center and then start drawing the circle in perspective.

Let’s take another much darker pencil and start adding details. When you draw a circle in perspective start with a rectangle first, then you dissect the corners down to the middle in the center and try to pre-hand those points to draw the circle in perspective.

We hit some vanishing points and start to darken the drawing up a little bit. Whenever we add anything we always hit the vanishing points. It is very easy to draw if you follow that simple rule. On this side of the airplane everything hits this point, but on that side of the airplane everything hits that point.

Now we start rounding things up a bit and get some edges in. It is always a mix of straight lines and round edges to make creative drawings. Keep things loose even though we use a darker pencil.

Once again we will dissect the corners down to the center in order to draw a circle in perspective. As soon as it is done we can start adding curves to the straight lines.

Creatively let’s get some shapes in here and follow some of the line work we have carved in. Sit back and think what you can do to add some details in order to add some life to the airplane.

Let’s start to make some shapes on the top of the airplane. It is about adding creative details to the rectangles. Add some curves by dissecting corners down to the center in that way we will make sure that the curves hit the vanishing points and our drawing is in perspective.

We can add some final details inside of the airplane. As we move on we can see that circular curves work very well with the straight edges.

Let’s move on with the back of the airplane. It is very essential to hit the vanishing points!

Make sure that you have rectangles first and then you can add details and curves.
Keep adding some creative details and have some fun with that!

Let’s darken the edges underneath the airplane, slow down a bit and pick up the lines that we want to enhance. It is essential to get some confidence while you are drawing because it will give you better results.

Now let’s switch to the softer pencil because I’m not really sure where the wings of the airplane are going to be yet. I have a shape here, but I want to go over and revise it. Let’s see what we can do to get a circular shape for the wing.

Let’s block the wings and wheels of the airplane. If you know how to draw a rectangle in perspective you can basically do everything.

You have to be very careful when drawing curved lines in perspective. Dissect corners down to the center and then draw curves free hand.

Follow the rough lines when adding details to the drawing.

Now let’s switch to the pen. Gain some confidence and draw over the pencil lines to give some structure to the drawing. Look and think what kind of details you want to add. More you add now will look better later after you color the drawing. Think about adding some sense of depth to the drawing by working on the line quality and highlights.

Now we are ready to erase some of the lines. Get rid of the lines you don’t need. That is why we’ve used the pen to make the task easier. Later on you can scan your drawing and add lines on the computer or you can move on with your pencil drawing. Don’t be afraid of erasing lines because you can always get them back. Some of the artists erase so much that it looks like that there is almost nothing left, but in reality the lines that remain on the paper will give sense of depth to the drawing.

Let’s start do cleanups and knocking lines back in. Pick up the lines, simplify the drawing and add some creative details.

As you can see we use various pencils, pens and markers to make drawings and that is the whole point.

Now we can take a darker marker and start adding details. In order to build your confidence before you erase the lines you can scan your drawing and then you will have a reference what you wanted to draw and how you wanted it to look like.

With the marker hit the lines you like.

In order to add the propeller start with a pencil otherwise if you make a mistake with the marker it will be very hard to fix it.

Add some block shading to the drawing with a pencil to give some sense of depth and add some creative elements. Use your finger to blend it in.

Glen’s past achievements and work experience:

2010 Barbie: Princess Charm School (video) (storyboard artist)

2007 Storm Hawks (TV series) (storyboard director – 1 episode)
– Siren’s Song (2007) (storyboard director)

1998 Chucklewood Critters (TV series) (storyboard artist – 13 episodes)
– Family Feud (1998) (storyboard artist)
– Timeout (1998) (storyboard artist)
– Scenter of Attention (1998) (storyboard artist)
– Raging Rivers (1998) (storyboard artist)
– Anything You Can Do…? (1998) (storyboard artist)
See all 13 episodes »

1997 I Am Weasel (TV series) (storyboard artist – 1 episode)
– I Are Big Star (1997) (storyboard artist)

1999 Werner – Volles Rooäää!!! (animator)

1998 Chucklewood Critters (TV series) (animation director – 13 episodes)
– Family Feud (1998) (animation director)
– Timeout (1998) (animation director)
– Scenter of Attention (1998) (animation director)
– Raging Rivers (1998) (animation director)
– Anything You Can Do…? (1998) (animation director)
See all 13 episodes »

1997 The What a Cartoon Show (TV series) (animation timer – 1 episode, 1997) (animator – 1 episode, 1997)
– Tales of Worm Paranoia (1997) (animation timer, animator)

1994-1995 Aladdin (TV series) (animation director: Kennedy Cartoons – 12 episodes)
– As the Netherworld Turns (1995) (animation director: Kennedy Cartoons)
– The Lost City of the Sun (1995) (animation director: Kennedy Cartoons)
– Eye of the Beholder (1994) (animation director: Kennedy Cartoons)
– Night of the Living Mud (1994) (animation director: Kennedy Cartoons)
– The Way We War (1994) (animation director: Kennedy Cartoons)
See all 12 episodes »

1993-1994 Bonkers (TV series) (animation director: Kennedy Cartoons – 9 episodes)
– Fall Apart Land (1994) (animation director: Kennedy Cartoons)
– Miracle at the 34th Precinct (1993) (animation director: Kennedy Cartoons)
– Goldijitters and the 3 Bobcats (1993) (animation director: Kennedy Cartoons)
– The Final Review (1993) (animation director: Kennedy Cartoons)
– A Wooly Bully (1993) (animation director: Kennedy Cartoons)
See all 9 episodes »

1992-1993 Goof Troop (TV series) (animation director: Kennedy Cartoons – 15 episodes)
– Educating Goofy (1993) (animation director: Kennedy Cartoons)
– For Pete’s Sake (1993) (animation director: Kennedy Cartoons)
– Clan of the Cave Goof (1992) (animation director: Kennedy Cartoons)
– Lethal Goofin’ (1992) (animation director: Kennedy Cartoons)
– Tub Be or Not Tub Be (1992) (animation director: Kennedy Cartoons)
See all 15 episodes »

1991 Darkwing Duck (TV series) (animation director: Kennedy Cartoons – 5 episodes, 1991) (animation director – 1 episode, 1991)
– Darkwing Doubloon (1991) (animation director: Kennedy Cartoons)
– Dry Hard (1991) (animation director)
– Up, Up, and Awry (1991) (animation director: Kennedy Cartoons)
– Whiffle While You Work (1991) (animation director: Kennedy Cartoons)
– Jurassic Jumble (1991) (animation director: Kennedy Cartoons)
See all 6 episodes »

Tiny Toon Adventures (TV series) (director: Kennedy Cartoons – 18 episodes, 1990-1991) (timing director – 2 episodes, 1990-1991) (model designer – 1 episode, 1991)
– High Toon (1991) (director: Kennedy Cartoons, model designer, timing director)
– New Character Day (1991) (director: Kennedy Cartoons – uncredited)
– How Sweetie It Is (1991) (director: Kennedy Cartoons)
– You Asked for It Again (1991) (director: Kennedy Cartoons)
– Pollution Solution (1991) (director: Kennedy Cartoons)
See all 19 episodes »

1990 Potsworth & Co. (TV series) (animation director – 13 episodes)
– Rosie’s Fuss Attack (1990) (animation director)
– Save the Cave (1990) (animation director)
– Rosie’s Extra Sweet Day (1990) (animation director)
– Dozer Quest (1990) (animation director)
– King Potsworth (1990) (animation director)
See all 13 episodes »

1990 Jetsons: The Movie (animator)

1989 Hägar the Horrible (TV short) (supervising director: Wang/Cuckoo’s Nest)

1988 A Pup Named Scooby-Doo (TV series) (animation supervisor – 13 episodes)
– Lights… Camera… Monster (1988) (animation supervisor)
– Robopup (1988) (animation supervisor)
– The Story Stick (1988) (animation supervisor)
– Ghost Who’s Coming to Dinner (1988) (animation supervisor)
– Scooby Dude (1988) (animation supervisor)
See all 13 episodes »

1988 Scooby-Doo and the Reluctant Werewolf (TV movie) (animator)

1985-1987 She-Ra: Princess of Power (TV series) (animator – 93 episodes)
– Swifty’s Baby (1987) (animator)
– The Bibbet Story (1987) (animator)
– Shades of Orko (1987) (animator)
– Hordak’s Power Play (1987) (animator)
– The Inspector (1987) (animator)
See all 93 episodes »

1987 Smurfs (TV series) (supervising director: Wang/Cuckoo’s Nest – 36 episodes)
– All the News That’s Fit to Smurf (1987) (supervising director: Wang/Cuckoo’s Nest)
– Gargamel’s Quest/Gargamel’s Second Childhood (1987) (supervising director: Wang/Cuckoo’s Nest)
– Stop & Go Smurfs/Poet the Know-It-All (1987) (supervising director: Wang/Cuckoo’s Nest)
– Smurf Pet/Timber Smurf (1987) (supervising director: Wang/Cuckoo’s Nest)
– The Smurf Who Could Do No Wrong/Smurfette’s Lucky Star (1987) (supervising director: Wang/Cuckoo’s Nest)
See all 36 episodes »

1986 Ghostbusters (TV series) (animator – 65 episodes)
– The Way You Are (1986) (animator)
– Maze Caves (1986) (animator)
– The Haunted Painting (1986) (animator)
– Pretend Friends (1986) (animator)
– Back to the Past (1986) (animator)
See all 65 episodes »

1985 A Christmas Special (TV movie) (animator – as Glen Howie Kennedy)

1983-1985 He-Man and the Masters of the Universe (TV series) (animator – 114 episodes)
– The Cold Zone (1985) (animator)
– To Save the Creatures (1985) (animator)
– The Games (1985) (animator)
– The Ancient Mirror of Avathar (1985) (animator)
– Capture the Comet Keeper (1985) (animator)
See all 114 episodes »

1984 Fat Albert and the Cosby Kids (TV series) (animator)

1983 The Raccoons and the Lost Star (TV movie) (assistant animator – as Glenn Kennedy)

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more info on VCAD: http://tutorials.vcad.ca/
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Two Human Eyes Drawing Example

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Two Human Eye’s Drawing Example

Source: http://www.youtube.com/watch?v=47CsPm0_Zsw

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more VCAD tutorials online: http://tutorials.vcad.ca/
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Как нарисовать два глаза
كيفية رسم عينان
如何繪製兩個眼睛的
kiel desegni du okuloj
kung paano upang gumuhit ng dalawang mata
comment dessiner deux yeux
कैसे आकर्षित करने के लिए दो आँखों
二つの目を描画する方法
두 눈을 그리는 방법을
چگونه به منظور جلب دو چشم
como desenhar dois olhos
cómo dibujar dos ojos
วิธีการวาดดวงตาทั้งสองข้าง

Woman Face Drawing Example

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Free Woman Face Drawing Example photo woman-face-drawing-example_zpsdef87650.gif

Woman’s Face Drawing Example

Source: http://www.youtube.com/watch?v=HEuRmfxY4lo

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more VCAD tutorials online: http://tutorials.vcad.ca/
Subscribe to VCAD: http://youtube.com/subscription_center?add_user=VancouverVCAD
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рисовать женское лицо
رسم وجه المرأة
繪製一個女人的臉
desegni virina vizaĝo
gumuhit mukha ng babae
dessiner un visage de femme
एक औरत का चेहरा आकर्षित
女性の顔を描く
여성의 얼굴을 그리는
desenhar um rosto de mulher
dibujar un rostro de mujer
วาดใบหน้าของผู้หญิงคนหนึ่ง
قرعه کشی صورت یک زن

Free Woman Character Drawing Example

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Free Woman Character Drawing Example photo woman-character-drawing-example_zpse6fba4f5.gif

Woman Character Drawing Example

Source: http://www.youtube.com/watch?v=t06meXeygu0

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more VCAD tutorials online: http://tutorials.vcad.ca/
Subscribe to VCAD: http://youtube.com/subscription_center?add_user=VancouverVCAD
Like VCAD: http://facebook.com/VCAD.ca
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Как нарисовать женщину
كيفية رسم امرأة
如何繪製一個女人的
kiel desegni virino
comment dessiner une femme
कैसे एक महिला को आकर्षित करने के लिए
女性を描画する方法
여자를 그리는 방법
چگونه به منظور جلب یک زن
como desenhar uma mulher
cómo dibujar a una mujer
วิธีการวาดผู้หญิง

Two Point Perspective Drawing Example

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Two Point Perspective Drawing Example photo two-point-perspective-drawing-example_zps4fa59cd5.gif

Two Point Perspective Drawing Example

Source: http://www.youtube.com/watch?v=Kfbn94HF_hI

Visual College of Art and Design of Vancouver
626 West Pender Street #500
Vancouver, BC V6B 1V9
(800) 356-8497
Find more VCAD tutorials online: http://tutorials.vcad.ca/
Subscribe to VCAD: http://youtube.com/subscription_center?add_user=VancouverVCAD
Like VCAD: http://facebook.com/VCAD.ca
Follow VCAD: http://twitter.com/vcad

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